Dangal Movie Review 2016 – 4/5
Aamir Khan has done it once more. Dangal is the best film of the year. Without a sad remnant of uncertainty. This film is a thundering body pummel of legit feelings and sheer diligent work. Executive Nitesh Tiwari’s film has a firm grasp on its story. It never wavers, it generally remains enduring and beyond any doubt footed like an ace wrestler. However, the best part of the film is its unobtrusive gesture to genuine sexual orientation balance. Mahavir Singh Phogat’s little girls Geeta and Babita have been portrayed with the most extreme regard. There’s a consistent exchange about making everything fair for the young lady youngster. And afterward you have the wrestling sessions which resemble the genuine article. Dangal is immaculate in each feeling of the word. Seldom do motion pictures get so great.
The story begins off with a speedy recap of Mahavir Singh Phogat’s life. He’s set up as a wrestler who surrendered his fantasy however harbors an incredible enthusiasm and energy to make his future child a gold medalist. In the wake of getting four little girls he abandons his fantasy just to all of a sudden understand that his little girls Geeta and Babita have a hunger for battling. He begins preparing them like they’re Haryanvi young men. He whips them into taught competitors establishing the framework for their stellar future accomplishments in the game of wrestling. In any case, Dangal is far beyond simply the excursion of two young ladies from provincial India to universal approval. The genuine soul of this story is the pride and enthusiasm with which a father enables his girls. He gives his whole being to making them champions. Gradually and relentlessly his fixation for wrestling greatness changes into adoration and empathy. He stays stern but then touchy to his little girls’ desire and feelings. Notwithstanding when they don’t regard him, Mahavir Singh Phogat keeps on being the better man, a stellar father and the saint that Indian stories truly merit.
Chief Nitesh Tiwari and his group of co-journalists Piyush Gupta, Shreyas Jain and Nikhil Meharotra make a superlative film. The first of the film is devoted to a drawing in story where the young ladies grow up under the tutelage of their dad and mentor. While the second half investigates their excursion into the universe of global wrestling. Both parts have differentiating subjects. The provincial environs of North India and the profoundly patriarchal culture locate a heavenly parody in the principal leg of Dangal. While the second half turns into a coarse story of game enterprise and youthful desire. As Mahavir Singh Phogat and his little girls find their fantasies and desire, Dangal stirs up a tempest of honest to goodness and splendid feelings. The film’s course and written work is riveting to the point that it urges it’s viewer to stand up and hail.
Awesome altering and filmmaking system aside, Dangal highlights wrestling matches that are legitimate and genuine. Watching youthful on-screen characters Fatima Sana Shaikh and Sanya Malhotra ponder their adversaries resembles viewing the Ward Amusements live. Their diligent work and commitment is marvelous. Fatima plays the senior little girl Geeta to incredible impact. She’s certainly a find for what’s to come. Youthful Zaira Wasim who plays the youthful Geeta is stunningly better. At the point when she’s on screen, she even takes thunder from her whiz associate.
Discussing hotshots, Aamir Khan is the quality, conviction, devotion and virtuoso of Dangal. His execution is significantly more perplexing than simply the striking physical change. His depiction of Mahavir Singh Phogat is a masterclass in acting. That uncommon events when you can’t recognize the performing artist in a character.
Dangal has everything that you’d ask from the ideal Hindi film. Its interesting, sensational, dull, genuine, enthusiastic all moved into one consistent true to life pearl. It is the film of the year. A film that merits an overwhelming applause. A story so great that it will make you feel like a glad Indian. This is a really unique film.